Jimmy Two-Shoes redux, plus another animated comedy in a very different kind of Down Under setting, and…the cultural complexities of face licking.
Saturday, January 23rd, 2010Have spent most of this week working on animation projects. Am writing a series for an Australian production company but must keep it on the QT, since it’s a new series and they’d like to wait and announce the details in the fullness of time. But it has been an interesting cultural adjustment. Certain types of humour that would never be allowed in a North American series for tweens are perfectly fine in Oz. That means a chance to indulge in some of that classic Looney Tunes physical humour that we all love and miss! THWACK! Conversely, there are certain things we wouldn’t think twice about putting in a show in Canada or the U.S. that are unacceptable there. But come to think about it, face licking is pretty disgusting even if you’re a dog. Make that especially if you’re a dog. Meanwhile, I have started writing for the second season of Jimmy Two Shoes. It’s been only two years since I wrote for the first season, but so much has happened in between. I wrote my first novel, STAR Academy, and most of the sequel, and created a new animated comedy series that’s in development with Nerd Corps, which I also spent time on this week. I’m also in the early stages of co-developing a live-action science series – a natural outgrowth for me after the copious amounts of research I did to arm Amanda Forsythe with that formidably scientific intellect for STAR Academy. But it feels great to get back in to Jimmy and that uniquely warped/funny world! I spent much of my time between 2003 and 2006 developing it with Sean Scott, so it’s incredibly satisfying to see that it has kind of taken on a life of its own. I’m always pleasantly impressed by how much people enjoy the show and how Jimmy’s whacked-but-positive way of dealing with adversity is so cathartic to so many people, judging by the emails I receive. Heloise, for her part, seems to stimulate ambiguous feelings in viewers who seem to find her both attractive and repellant at the same time; creating that sort of complex relationship between a character and his or her audience is a little bit twisted – but very gratifying!